Mitch Gonzalez
Visual Effects Artist
E x p e r i e n c e
Wolf & Crow | 2014-2017 | Los Angeles, CA
Animation Supervisor
> Headed up animation department on the feature film Pan > Led animation on various commercials for Google, Apple, Beats,
> Supervised animation on Björk: The Gate music video Honda, and Science Channel
> Oversaw animation department on Napoleon: The Ticket, a short-film
produced by Wolf & Crow
Prologue Films | 2011-2014 | Venice, CA
Animation Supervisor/ Visual Effects Artist
> Headed up animation department on four of Bungie's: Destiny in-game cinematics > Supervised animation departmenton Jack the Giant Slayer
> Supervised animation on Audi Paris Car Show, including previs, and rigging > Assisted on opening sequence to Mission Impossible: Ghost Protocol, including
> Supervised previs animation and helped craft the look of Noah creation sequence layout, animation, shading, lighting, and rendering
Pixomondo | 2011 | Santa Monica, CA
Animator
> Feature VFX and animation on Fast Five, and Red Tails > Collaborated in a fast paced pipeline with strict schedules and tight deadlines
> VFX Generalist on Hugo, which included animation, rigging, lighting and shading
Post Mango VFX | 2011 | Culver City, CA
Visual Effects Animator
> Feature VFX and animation on The Double, and Chronicle > Assisted on previs animation for Chronicle
> Responsible for animation and pre-composing visual effects
Charlie Company | 2010 | Santa Monica, CA
Animator
> Assisted on Disney Channel promotions for Disney Junior involving CG elements > Assigned multiple shots with responsibility of character/s animation and
with live action environment animation
Reel FX | 2010 | Dallas, TX
Remote Character Animator
> Feature Character Animation with Warner Brothers on Looney Tunes Project > Animated on Kit Kat commercial involving realistic squirrels and live action
involving three CG stereoscopic Roadrunner/Wiley shorts for theatrical release > Assigned multiple shots with responsibility on all character/s animation